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1673–1732, Italian Nicolo Grimaldi, known as ‘Nicolini’, studied singing in Naples with the composer Francesco Provenzale (1624–1704), and made his debut at the age of 12. Nicolini sang in the cathedral and royal chapel as a soprano, but soon became associated with operas by Scarlatti. He also sang for Bononcini, Lotti, Leo, Porpora and Vinci. ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

(Nik’-ko-lo Pa-ga-ne’-ne) 1782–1840 Italian violinist and composer The foremost virtuoso in the history of the violin, Paganini contributed significantly to the development of the instrument’s technique and drew Romantic composers, especially Liszt, to the potential of instrumental virtuosity in expanding expressive range and impact. Paganini first studied with his father, who made him practise long hours, and ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

c. 1627–98, Italian Poet and librettist Count Nicolo Minato wrote 11 texts for the Venetian opera houses, including Cavalli’s Pompeo Magna (‘Pompey the Great’, 1666). In 1669, the Emperor of Austria, Leopold I, appointed Minato his court poet, and some very exciting opportunities opened up for the count. At that time, the court composer ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1681–1764, German Born into a wealthy family, Mattheson received a gentleman’s education in languages and the arts, and studied law before becoming immersed in Hamburg’s operatic scene. He made his debut as a soprano in 1696, but his voice broke soon after and he sang tenor roles until 1705. He took part in more than 60 new ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

An important aspect of Romanticism was its focus on individual feeling and expression, in contrast to the universal strictures of classical form and style. This led inevitably to a concept of the artist as a misunderstood genius, battling against the world. The second generation of English Romantic poets, including Percy Bysshe Shelley and Lord Byron, contributed significantly ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The Italian city of Cremona has been celebrated since the sixteenth century for the manufacture of stringed instruments. The first famous family of makers there was the Amati. Andrea Amati (c. 1505–80) founded a dynasty that included his sons Antonio (c. 1538–95) and Girolamo (1561–1630). But it is the latter’s son Nicolo (1596–1684) who is usually regarded as the most outstanding ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The Opéra-Comique company was established in 1714 to offer French opera as an alternative to the Italian opera that dominated the continent at the time. After several misadventures, which included a bankruptcy, the Opéra-Comique settled at the Salle Feydeau in 1805. Here, its essentially radical approach to opera soon became clear. At this time, composers such as ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

In 1905, and probably for several decades before that, there were more pianos in the United States than there were bathtubs. In Europe, throughout the nineteenth century, piano sales increased at a greater rate than the population. English, French and German makers dispatched veritable armies of pianos to every corner of the Earth. It was the ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

‘The Joyful Girl’ Composed: 1876 Premiered: 1876, Milan Libretto by Tobia Gorrio, after Victor Hugo Act I Gioconda leaves her blind mother, La Cieca, surrounded by revellers outside the Doge’s Palace while she looks for her betrothed, Enzo Grimaldi. When Gioconda refuses Barnaba’s advances, he has La Cieca accused of witchcraft. Laura, the wife ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Although popular now, Serse was one of Handel’s worst failures during his own time. It was only performed five times in its first run and Handel never revived it. Unusually among his operas, its libretto by Silvio Stampiglia (1664–1725) is warmly light-hearted and does not seriously concern itself with tragic events or heroic actions. The most famous aria, ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Verdi’s dark, brooding opera Simon Boccanegra had a tortuous history before 24 March 1881, when its final version premiered at La Scala, Milan. Verdi composed Boccanegra in 1857, but the Venetian audience reacted coolly; an anti-Verdi claque sabotaged the performance and a false rumour spread, claiming that Verdi had written the libretto and made a mess of ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

(Fâr-de-nan’-do Pa’-er) 1771–1839 Italian composer Paer was among the last of the group of Italian composers in demand as maestri di cappella, and together with Mayr dominated Italian opera in the first decade of the nineteenth century. He studied in Parma, but moved to Paris in 1807, when Napoleon, a great admirer of his work, appointed him ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

(Joo’-sep-pa Ver’-de) 1813–1901 Italian composer Verdi composed 28 operas over a period of 54 years. In his native Italy he became immensely popular early in his career, and by the time he died he was idolized as the greatest Italian composer of the nineteenth century. In other musical centres of Europe it took a little longer for Verdi’s genius to be ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Jason Becker, born in 1969, is an American neo-classical metal guitarist and composer whose steady rise to the top of the guitar world was cut short by illness. Becker was born and raised in Richmond, California. In high school, he performed Yngwie Malmsteen’s ‘Black Star’ with his band at a talent show. At 16, he formed ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

1656–1728, French Marin Marais, who was born in Paris, was both a composer and a player of the viola da gamba. He spent his life in Paris or Versailles, where he was one of many musicians employed by King Louis XIV. Marais became a member of the Académie Royale de Musique and co-directed its orchestra with Pascal ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie
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